Daniella Fay

Tell me what cannot be filmed. That’s the brief.

What used to be impossible is now simply scheduled.

Go pour the honey uphill. A Rosh Hashanah film. A palace that never existed, built from crystal, ruby and honey. Six lines, one climb.

Films

Sound

Chandelier

Fully furnished. Partially eaten.

Sound

Margin Notes

Pasha likes to audition by eating the set.

Sound

Worlds

She has no home address. This has never been a problem.

Sound

Flower Market

Dawn, and everything obeyed.

Sound

Island

Summer, arranged.

Sound

The Brief

Your brief. My desk.

Beyond the frame.

Some of the worlds I build are not films. They run.

How we work.

Every film begins with a conversation about what you actually need: a single scene, a holiday greeting, a launch, a season of work.

From there the shape is the same. We agree on the idea. I make one scene from it, so you see the world before you commit to it. Then we build the film, refined together until it is right.

Master files and full usage rights are yours on delivery. The characters are original, never a real person’s likeness. Most films deliver in two to five weeks.

Scope and timeline follow the work, not a menu.

Tell me what you are imagining.

[email protected]

@daniella__fay  ·  LinkedIn